Why ‘Where are you from?’ is such a complex question

Last night I watched the Tommy Tiernan Show on RTE 1. Tommy is undoubtedly a brilliant interviewer; warm, empathetic and with a nose for getting right to the heart of the matter. One of the first questions he asked his first guest Brenda Fricker was ‘Are you sad?’, an excruciatingly personal question to ask someone. I held my breath as I watched her face absorb the question for a moment before lowering her tone and heartbreakingly answering ‘oh yea…yea’. It was a brave question and it only worked because there was a trust between them, and Brenda was honest enough to show her vulnerability. That painful admission was really powerful and I think we all connected with her at that moment. 

His second interviewee was Bashir Otukoya, Assistant Professor of Law at UCD and PHD student. Tommy’s first question to him was ‘Where are you from?’. Bashir, if he was taken aback, did not show it and answered cheerily that he is originally from Nigeria but based in Drogheda as he has been for all his life here in Ireland. 

But I felt for Bashir in that moment, in having to explain that he is also Irish.  The reason ‘Where are you from?’ is such a sensitive and loaded question is because it immediately sets the person up as being ‘not from here’. It ‘others’ them. 

Straightaway Bashir was identified as not being ‘from’ Ireland. He was set up as being different, and most of the interview continued on to focus on this difference, his challenges growing up in Ireland as a black man including at school, in employment and his quest for Irish citizenship, which he got in 2016.

I put up a tweet on Twitter saying that ‘Where are you from?’ is a sensitive question and how you should be careful how and why you ask it.

One man commented that this question is an innocent Irish thing, showing genuine interest, a cosy question that sets the scene for you to tell your story. The sentiment surely is genuine interest meaning no harm, but is it really your business to ask someone to tell you their story like that without knowing anything about them? Immigration is hard and you don’t know what people have been through. Calling it an ‘Irish thing’ does not magically make it warm or endearing. And I can say from experience that it is not an exclusively Irish thing either. I lived in Japan for 4 years and I got asked this question 100 times a day. If I had lived there another 4, or another 20 or another 30 years, or until the end of my days, I would still have been asked this question.

No matter how well I spoke Japanese or how much I followed the customs and behaviors, I was always ‘the foreigner’. The widely and thoughtlessly-used word for foreigner in Japan is ‘gaijin’ which I probably heard every single day I lived there. ‘Gai’ translates to ‘outside’ and ‘jin’ to ‘person’. It was really hurtful to be considered an outside person, and judged entirely by my appearance. And this is what this question does when it is the first question you ask someone. Asking this question of someone you have just met makes an ignorant assumption about them. And that’s the definition of prejudice. At least it is respectful to establish a rapport with someone before you start digging into their personal life. And even then, you should tread carefully because you don’t know what anyone has been through. 

I actually thought it was a Japanese thing. I used to think ‘In Ireland, we don’t do that to people the minute we meet them. We get to know someone a little first, and then if, through chatting it becomes clear that they are from a different country, we might ask them if it seems appropriate’.

A lot of people have commented saying that it’s a customary question, breaks the ice and means no harm. 

It’s not intended to harm, I know that. But the thing about harm is that, it’s not really about the intention or the person inflicting the harm. The impact is on the other side. As Bashir put it, when you hear this question ‘over and over and over again’ it begins to feel like ‘You don’t belong here’ and that does begin to cause harm.

The other reason that it’s a sensitive question is because it can be a really complex one to answer. For many people in our multicultural, globalized world, it’s a really difficult question to answer, and to answer it accurately would require going into a lot of personal detail. If you were born in Poland to an Irish mother and a Polish father, moved to America at the age of 4 years and grew up speaking English with an American accent, how would you answer it then? You are not going to start explaining all that to a perfect stranger. Because it’s none of their business and they don’t really want to know all that. They want a simple answer so they can put together a simple idea in their head about you. But it’s not a simple question. Yes I know it can be, but these days more often than not, it’s not. When I worked in an Irish pub in Japan, staff would sometimes come over to me excitedly and say ‘Evelyn, this customer is from Ireland’ and I would excitedly go over expecting an Irish accent and some news from home, but it would usually be an American person with Irish heritage, who would be a lovely person, just not what I had been expecting.  I suppose this challenged my assumptions of what an Irish person is. 

I was staying in a hostel with a woman who was born in India to Indian parents, grew up there until her early twenties before moving to America to get married to an American man. She looked Indian and sounded Indian, but when asked this question she says that she is from America and an American.  I saw confusion several times on the faces of people who asked her, because it wasn’t the answer they were expecting. 

What is the point of asking a question if you already have an expectation of the answer? There must be something else underlying it. So what is the underlying motive when asking this question? I’m wondering is it something to do with making a judgement about them, not necessarily a bad one, but a judgement, at its core, is prejudice, which is why it feels bad to be on the receiving end, even if the intention is not bad. I think it’s mostly about making a connection with someone, but depending on the context there might be a better way of doing that.

For me, it was always the same rigmarole. Where are you from, and then when I answered Ireland it would be a spewing of everything they know about Ireland, and then a series of questions about Ireland, and then why did you come to Japan. It was nice the first few times, but this conversation got really tiring after a while and it constantly re-inforced that I was different.

I think the complexity also lies in the fact that the meaning is unclear. Does it mean ‘Where were you born?’ , ‘Where were your parents born?’ ‘Where did you grow up?’ ‘Where have you spent most of your life?’ ‘What nationality are you?’. It can mean one or many of these things. So then it comes down to, what is it you are really asking. And then it should probably be a question of, is it really appropriate to ask these things of someone you just met.

I think it’s important to note that Tommy Tiernan asked Brenda Fricker ‘Where do you live?’ and he asked David Norris ‘Where did you grow up?’, two very different questions to ‘Where are you from?’. They are straightforward and the meaning is clear.

One tweeter commented ‘Never take offense to that question, it’s in the Irish psyche to be curious to see if their school geography can match you with somewhere they’ve heard of or they might be able to find someone in common with you’. That’s the simpler end of the story, it’s endearing, warm and reflects the Irish sense of humor.  

My boyfriend is a very proud Irish man and he doesn’t agree with me that this can be a sensitive issue. He is also a big Shane McGowan fan. So I asked him the question and it went something like this:

Me: Where is Shane McGowan from?
Boys: He’s Irish’.
Me: Not, what’s is nationality. Where is he from?
Boyf: He’s from Ireland.
Me: How?
Boyf: Both his parents are Irish, he’s been to Ireland loads of times, he plays Irish music, his heart and soul are Irish, he is ‘Irish’.

But the question was not ‘what’s his nationality?’. Is this what the question really means? McGowan was born in England and grew up in England but he is ‘from Ireland’ because of those reasons mentioned. You can see how answering this question can get complicated unless you were born of parents of the same origin, and grew up and lived all your life in the same country as them, which is increasingly not the case in today’s world.

Another guy on Twitter commented sarcastically that I should ‘lighten up’ and that I was ‘woke’. ‘Would you give the same woke lecture to people in other countries, but you’ll probably say that you do’ he commented. Another guy lamented for the state of education and the next generation saying that schools and colleges should be demolished for brainwashing kids with this wokeness and that the next generation is f*#ked. ‘Wokeness’ is a new buzz word and often used in a derogatory way to describe ‘millennials’ getting easily offended. There is a lot of fear in those comments, but if respecting others and allowing people to express themselves freely without hurting anyone is something to be fearful of, to me that is the scary thing. The world changes, and it’s changed so rapidly in the last not even one hundred, but ten years and twenty years since the new millennium. I was born in 1985 so I grew up in ‘the last century’ as my nieces are fond of describing it. Things change, it’s nature, it’s evolution.

I wonder why some people responded defensively and even offensively to my comment. One person told me to ‘cop on, twat’. One person told me I need to get out more (Great advice in the middle of a pandemic). I wonder is it because they are worried that their own views might contain prejudices, and that is uncomfortable for them. Like Bashir said ‘Why does someone get defensive when they are accused of racism? It’s because their integrity is being questioned. But if somebody’s telling you that you are acting in a racist way, its not for you to question whether that question is founded or not, it’s to internalize that feedback and ask why did someone think that about you – its an opportunity to self-reflect’. 

I’m not trying to call anyone prejudiced, I am just trying to explain how it feels to get asked this question repeatedly as an opener, when you are in a living in a country where you are visually different to the majority, and how it can sting. Sometimes when I was really tired of being asked it, I would answer random countries like ‘China’ which would induce confusion or hilarity, because its not what they were expecting, not what they assumed I was. They had a pre-conception of my identity. 

Several times when I said Ireland, they would begin to talk about the IRA, and I certainly did not want to get into a discussion about the IRA with someone who knows nothing about what the IRA means or the effect it had in Ireland. Bashir put it well when he said ‘When it is the very first question, you don’t know what the other person’s intentions are. You don’t know if it’s going to be a friendly relationship, or whether it might become racist, and because you have experienced racism before, you have to be careful’. 

Another tweeter said ‘People have always asked where I was from when I’m in a different country, should I be offended?’. It’s not for me to tell you that you should be offended, you’re missing the point. 

Another person commented that context is key with this question, which is exactly the point. It’s not that asking someone where they are from is a rude question per se, it’s the context it is asked in that matters. 

Tommy went on to tell a story of secondary schools in Galway where school children play black versus white soccer matches. That’s black children versus white children. He described this as ‘wonderful’ and ‘delightful’. His point was that this ‘in the moment’ showed that they were comfortable in their differences of ethnicity and that there is beauty in that. Bashir laughed generously, saying he wouldn’t go so far as calling it wonderful and talked about the psychological impact this goes on to have into adulthood, that splitting children up into combative teams based on visual difference becomes a problem later in life as those children in the ‘black box’ realise that it’s the ‘white box’ they need to join if they want to make it. 

One tweeter commented that ‘It is evident how the onus is always on those who experience prejudice and hate to extend patience to those who cannot see their prejudice themselves’ which hits the nail on the head.

Another tweeter commented that RTE are doing great work on diversity and inclusion. But diversity is supposed to be about accepting difference, not highlighting it. Isn’t it more diverse to accept someone for who or what they are, rather than ask them to explain it?

The vision for diversity might have been there, the execution unfortunately was not. 

Comments from people defending the asking of this question ‘Where are you from?’ miss the point. It’s not about whether it’s right or wrong to ask it, it’s about understanding the broader implications of this question, and the hurt and exclusion it can cause when asked in the wrong context. If you don’t understand that, fine. 

Prejudices are something we all have. I certainly have them, Tommy Tiernan showed he has them. Prejudice is about pre-judging people and we do it all the time, but I would go so far as to say that most of the time we are wrong in our pre-judgements of people. It narrows the perspective immediately and a great deal is lost. 

The next time you go to ask ‘Where are you from?’ from somebody, stop to ask yourself what is your motivation for asking it. And I would be very interested to hear your answer. 

This poem helped me understand life a bit more

Iarla McGowan reads poem ‘The Language of the Birds’ by Stephen Murph

You know when you hear or read something and you just understand life a bit more? This poem by Leitrim poet Stephen Murphy and read by Iarla McGowan just makes sense.

The poet sets the poem in a strange place, a place where probably most people at some point in their lives have experienced a weird epiphany or meaningful moment, ‘that space between the waking world and dreaming’.

He first talks about trying to find meaning in a bird’s song, ‘as a thought became a bird, became the tune by which it sings’, then describes his despair as the bird flies away, leaving him alone ‘in the emptiness to stare at the abyss’.

Though he feels sad, he recognises the beauty and joy he experienced in that moment ‘the certainty of nothing but that momentary bliss’. Personally, the older I get, the more I realise that I know nothing, that the more I learn the less I know, that I’m just on a constant search for the truth which is so frustratingly hard to find. But this is a solid, grounding truth, a certainty – he had a momentary feeling of bliss. It’s a simple and comforting truth.

There follows a period of two full months solitude in what must have been a hospital ward ‘I lived inside my head, with nowhere else to go besides the chair beside the bed’. What a perfectly lyrical line this is. It flows with such ease and wisdom, it is pure poetry.

So he seeks the bird again ‘for company, for freedom and relief as I fought to keep my sanity, my reason and belief’. And he begins to realise that the beauty of these moments with the bird, the beauty of life itself is in its very transience. It’s beautiful because it doesn’t last. ’til i learned to see that certainty and permanence aren’t real’.

There’s a lovely phrase in Japanese culture that captures this too ‘mono no aware’ which translates to ‘the pathos of things’ and the deeper meaning is about the transience of things. Theres a wistfulness and a sadness in the passing of things, but also an acceptance and an appreciation. It explains why the Japanese celebrate the sakura every year, the cherry blossom. They only blossom for about 2 weeks in the year but they are two of the most important weeks in the Japanese calendar, and they talk about it all year round.

The next line is the main point of the poem for me ‘that frequency of consciousness determines how we feel’. Consciousness is something we are learning more and more about, it means being aware and present. Some people find it in prayer, some people find it in art, some people find it in gardening, some people find it in tea ceremonies. It’s simply those moments where you quiet your riotous mind and live in the moment. Actually it’s always there, you just have to realise it.

And so he finds hope in this. If he can just tune in to these moments, to every moment he will experience joy ‘so i turned that dial from helplessness to truly tuning in, from denial through to hopefulness, and here he finds ‘a realm of resonance and positive intentions’.

He ends the poem as he started it, in a strange indefinable space, a transient moment, but one that comes without fail every night ‘within the space between the evening and the night’. And this is also a truth, as night follows day.

There is wisdom and power in this poem. The poet finds meaning in the birds, which is something we can all do. In this increasingly material world, it’s becoming more and more important to learn from nature and animals, about how to live in the moment, to appreciate true beauty and the simple things in life, things like ‘the rise and fall of the swallows as they play, and to hear the herons calling at the closing of the day ’.

The poem is by Stephen Murphy, a poet from Leitrim and it’s read here beautifully by Iarla McGowan, sincerely, honestly, passionately.

I didn’t attach the text of the poem because I think that listening to Iarla’s reading is the most powerful way to enjoy this poem.

Horn Head, Donegal – the top of the world

Horn Head, Donegal – the top of the world

One of the things I love about waking up on a Sunday is not having plans; nothing to do, nowhere to go. It’s not that I don’t want to go anywhere or do anything, I just don’t want to have anything planned in advance. Just to wake up on a blank page and see where the Sunday takes you. Which is exactly how I woke up last Sunday.

Breakfast in the jim-jams, peruse of the papers, bit of a listen to Sunday with Miriam, nice and eezy. Then I look out the window, across to Muckish which we are lucky enough to see from our house in Letterkenny. ‘I wonder what that day is going to do’ I say to Christine who’s already done a bums n’ tums class, the shopping, the laundry, cut the grass and fixed the door of the shed. Well not quite, but she has been down and up the town already. She’s much more productive than me anyways. ‘Looks alright’ she says ‘Will we go for a spin somewhere?’ 。

So after throwing a few ideas around: Glenveagh (was there recently), Sliabh Liag (bit too far for a last-minute trip), we decide on Dunfanaghy. ‘Dunfanaghy has everything’ according to Christine. ‘Gorgeous beach, the golf course, lovely cafes and restaurants, live music in the pubs, the Shandon spa nearby and the drive around Horn Head. It’s a happening wee town’ she has me sold.

At around 1 o clock, we are ready to go. I put a few of the supplements under my arm as I’m going out. ‘You’re not bringing the paper are ye?’ she asks with disgust . Apparently not, I put them back down quietly. Row number 3,722 averted.

‘Dunfanaghy has everything’

• 

  Gloves…on the beach….in July

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  Dunfanaghy Beach

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  Lunch al fresco at An Chistin

We arrive in a bright and bustling Dunfanaghy, park up and head straight for the beach. It’s cooollllddd and windy but lovely and fresh once we get going. There’s loads of people about: on the streets, outside the cafes, on the beach, on the golf course. Indeed we had to duck once or twice when walking back through the golf course, dodgy enough I tell you. I got a coffee and Christine got a burger from a wee van outside the golf club and we enjoyed them under the sun which was warm when you were sheltered from the wind. Was able to take the gloves off like.

A wild place where fairies and goblins lived I always thought.

Then we got on the road again, and drove along The Wild Atlantic Way up towards the aptly named Horn Head. We can see Horn Head from our home-house in Carrigart and looking across at it as a child, it always held an air of mystery for me. From our house, it appears in the distance as a big arc-shaped mountain, (a horn if you will) standing solid, constant, formidable, weathering the North Atlantic storms. A wild place where fairies and goblins lived I always thought.

On the way up, up, up to the viewpoint, catching the view of Tory Island was really special. The sun was splitting the rocks by now and we got a perfectly clear view of the little island, some nine miles out to sea, another place full of fairies and goblins you might say.

Keep watching til you see Tory

We came on down again and on round to the main view point at Horn Head. As Christine says in the video, the video doesn’t capture it. Standing at the top of Horn Head, the top of the world, really takes your breath away. You know that feeling when your stomach lurches? This drive has a lot of that and goosebumps.

Main viewpoint from Horn head looking out at the wild North Atlantic

Christine going in to local tour-guide mode pointing out all the beaches

So it was one of those couldn’t-have-went-any-better-if-you-had-planned it Sundays. Probably-would-have-been-shite-if-you-had-planned-it Sundays.

But my pictures, videos and words don’t come anywhere close to capturing the experience, the thrill of driving around Horn Head, the breath-taking natural beauty of it, heaven on earth. It has to be experienced to be understood.
One for the bucket list.

My dramatic make-up transformation: Before and After

Before and After

Putting on make-up correctly is an art. It requires, skill, creativity, vision and experience, as well as the right tools and products. Just like Monet, Van Gogh and Da Vinci, the make-up artist also takes a blank canvas and attempts to realise their vision, whatever that vision might be, sometimes beautiful, sometimes indeed frightful, depending on the mood of the artist and the task at hand. I had the pleasure recently of being the canvas, on which my friend and make-up artist extra-ordinaire Emma, was to try out her vision of a beautiful, fresh bridal look.

Day-to-day I usually wear a little bit of make-up: a dab of foundation, pencil on the brows and a slick of lippy, but that’s usually about as far as I go. Over the years Emma has taught me little tricks, like applying coconut oil to your lashes to make them long and luscious, or when doing the eyeliner ‘flick’, to hold a piece of card up to your eye at an angle and draw the ‘flick’ along it, but when it comes to more advanced techniques like contouring I’m totally lost.

It never ceases to amaze me how effortlessly glam Emma ALWAYS looks so I was excited at the prospect of getting equally glammed-up and experiencing how it’s done first-hand.

So on Tuesday evening last, I hopped in the car after dinner and headed down to her little studio in her lovely home in Ramelton, Donegal.

She cleansed me first with a refreshing cucumber cleanser and as I tend to have dry skin, she also moisturised and primed my face with a hydrating primer.

She mixed two foundations together to get the perfect shade for me and when she started painting it on, I have to say it felt like a lottt!!

With so many products in different textures and finishes, creams, gels, powders, liquids as well as colours to choose from, I was curious about how and where to start and how to know what will look good, so I asked Emma.

‘Everybody’s different’ she said. ‘As soon as I meet someone I’m looking at what they’re wearing, their hair, their accessories, getting a flavor of their personality and I’m immediately putting a look together in my head’.

After applying the foundation, she then set it with a powder. She worked with an artist’s style palette, which was also a mirror, dabbing her paint brushes in her chosen product before painting them on to my face. It was cool to see her at work: focused, skillful, inspired.

Next was the eyes. Apart from pencilling in my brows, I don’t do anything else with my eyes as I have always believed that eye make-up doesn’t suit me. But the way Emma did it, it looked amazing. She went smoky with the eyeshadow, used a gel liner in my upper eye-lids before adding lashes. She finished them with a cream highlighter in my inner eye, a simple technique that really made them pop. The eyes were the most dramatic for me and proved that it’s not that eye make-up doesn’t suit me, I was just never doing it right.

After that it was contouring and blusher and the look really started coming together. We finished with a shocking pink lipstick by Rimmel, a beautiful shade, which really gave the look the wow factor. But for something a bit less daring, Emma recommends a pink or nude lip.

Overall it took a little under an hour. And I couldn’t believe it when I looked in the mirror. I felt so glam. I wish I’d also been wearing a glam dress to finish the look, but there will be plenty more chances with dinner dates, drinks with friends and summer garden parties to come xoxo ❤ .

If you’d like further information, a list of products used or to make a booking with Emma, contact her here at Emma Gordon Make-Up Artistry .

Tadaa!!!!!

Emma Gordon, Make-Up Artist

Hiroshima’s commitment to Peace, Love and Baseball.

Love and Peace sign in Guesthouse Lappy. One of many Love and Peace signs throughout the city.

6th August 1945 at 8:15 in the morning. That’s when it happened. About 600 meters above the Hiroshima Cultural and Arts centre, American bomber plane Enola Gay dropped an atomic bomb, the first ever nuclear atomic bomb to be used against human beings in the history of warfare.

We all know this date, we know the atomic bomb happened because we learn about it at school from our history books. We learn dates, and place names, the names of the people in power, the politics. But coming here to Hiroshima, to the very site where the bomb was dropped, seeing for myself the place where all those innocent people were blown apart, sorry to use such a graphic expression, is something I couldn’t have learned from any history book.

On a sunny Friday afternoon, I exited the south side of Hiroshima station and looked for the sign for what is now called The Atomic Bomb Dome. I could have taken the public streetcar for 10 stations, but I wanted to walk. I could have used a map, but I didn’t want the distraction. Instead I just followed the street signs. Without the distraction of a map, my phone or the hustle and bustle of getting public transport, I just walked silently, clearing my thoughts. At certain stages there were signs indicating the distance from the A-Bomb Dome: 1.5km, 1km, 500m. As I was getting closer, I could sense a resistance in my body and I walked even slower. The heat was sweltering.

The preserved ruins of the Hiroshima Culture and Arts Centre, now known as the Atomic Bomb Dome.

Eventually, after about a 40 minute walk under the strong summer sun, I came to it. The Atomic Bomb Dome, as it’s now called, previously the Hiroshima Culture and Arts Centre, the building 600 metres above which the atomic bomb was dropped, instantly killing everyone inside and thousands nearby. Over 140,000 people were killed by the atomic bomb, about 70,000 directly from the blast and another 70,000 from injuries and radiation illnesses. The original target of the bomb is said to have been the nearby Aioi bridge, easily recognizable from the sky because of its T-shape. The original Culture and Arts Centre building was known for its dome at the top, which was green, the shape of which you can still see. The remains of the building are now preserved and protected by a security fence preventing entry. There was an argument to demolish the building because of the painful memories, but it was decided to preserve it, as a memory of the atrocity that happened, as a memorial to the people who were killed and as a symbol of Hiroshima’s everlasting commitment to peace, and an end to nuclear warfare now and forever.

When I got to the A-Bomb Dome, I stopped outside, went to my knees and said a prayer for the repose of the souls of those people that were killed, many of whom were mobilized children, who had been recruited to work in factories due to labour shortages during the war. It was a busy Friday afternoon so there were lots of people around. When I got up, a smiling couple asked me to take their picture in front of the Dome. `Sorry` I said. I wasn’t exactly in a smiley ‘picture-taking’ mood. Lots of school kids were also milling around, taking notes and chatting with each other.

Mourning the lives lost in the atomic bombing, we pledge to convey the truth of this tragedy throughout Japan and the world, pass it on to the future, learn the lessons of history and build a peaceful world free of nuclear weapons.

After spending a while here, I went on to the Peace Memorial Park, a large and beautiful park containing the Peace Memorial Hall. As I entered the hall, I followed a path surrounded by high grey walls going in a circular direction. It felt quite claustrophobic in here. It led to a room where the walls are tiled, one small tile for each person who was killed. In this room there are also individual photos of each person who was killed and a searchable database to look for people. I stayed a while and looked at many of the faces. Then I went to the Peace Memorial Museum and watched videos of survivors telling their stories, many of them parents telling about their children who were killed.  They described vivid and frightening scenes of bodies floating in the river, eyes bulging out, people screaming and calling for each other, the smell of hair and skin burning. I won’t forget them. I cried and prayed for the people who were killed. And for the people who experienced it but survived, left behind with horrific memories.

Panoramic view of the Hiroshima, burnt to the ground by the A-bomb.

When I got back to the guesthouse, I was still in a very quiet mood, having not really talked to anyone. My host Yasuko san, a kind woman of about 50 or so was there and asked me how my day was. I told her about going to the A-bomb dome and my sadness must have been very obvious. Yasuko-san however took a different perspective. She told me she is thankful that so many people from other countries come to pay their respects, but she doesn’t want people to dwell on being sad. She wants us to celebrate the survivors who rebuilt the city into what it is today, a city that is fiercely dedicated to peace and love. Everywhere you go in Hiroshima there are signs of peace and love. It’s written on buses and buildings. Streets, parks and shops are named after peace. There’s a Peace Bell, a Peace Boulevard, a Flame of Peace. There’s a Peace Clock Tower that chimes at 8:15am every morning, the time that bomb hit. She said she is proud to be from Hiroshima, born and bred here. She said we should never forget what happened, but rather than feel sad, we should feel grateful to the survivors, her parents’ and grandparents’ generation, who with a fighting spirit did not wallow in their pain. They took courage in each other, in peace and in love and rebuilt the city. It’s an amazing spirit. The spirit with which they also fiercely support The Carp baseball team! Go on the Carp!

 

Carp Fan.

Delicious okonomiyaki made by said Carp fan

Of course she had family who died as a result of the A-bomb. And while talking about this she burst into heavy tears. She said it’s hard to talk about it, that many people couldn’t really talk about it, can’t really talk about it. Instead they just move on relentlessly. But we should talk about it, by talking we face our emotions and free them. By talking we pass on history, her-story, who’s story? The real stories of the people who died and survived the atomic bomb.

Claire, a girl who has lived in Hiroshima for 13 years, whom I met and chatted a while with, told me that there are times when elderly men and women sit around the a-bomb dome area in the evening and talk to anyone who will listen. Maybe they are trapped in their memories and cannot move on. It was only 74 years ago that this happened. There are still people alive who directly experienced the a-bomb. But as time goes on, there are less and less people still alive who were directly affected by the bomb. As new generations come up, we can only understand what happened by stories. And we should listen to these stories.

We should listen to these stories and remember the horror of the a-bomb, so that it never happens again. We should use the memory of the a-bomb to remind us to live peacefully, to remind us to love each other, to fight against war, but to fight with with love and peace. The only thing that can beat hate and war is love and peace. Along with the people of Hiroshima, I commit to this.

The lovely Claire and beautiful daughter Sumi-chan and dog Beemo.

 

My lovely host at Guesthouse Lappy, Yasuko-san.

Stupidly sunburned.

Peace on the train

Deer in Miyajima island.

Deer in love! ❤

Peace in Miyajima island.

 

 

Beer time @ Molly Malone’s

Chilling by the river at dusk.

What can I get ya? A bartenders challenge to try everything on the menu: Daiquiri – simple, classic, sexy!

Gona take a break from beer for a while (just on the blog, not in real life, God no) and up the ante a little with a boozy cocktail. Mainly a Daiquiri, made by our resident cocktail maestro, Victor from Sweden.

とりあえずビールやめておいてカクテルを飲んでみます。スウェーデンのビクターが作ったダイキリということです。

Im actually writing this post from our Rokkaku pub. Man in the Moon has four pubs in Kyoto (and 1 in Tokyo) and I work at the Rokkaku branch as well as the Kyoto station branch here in Kyoto.

これはマンインザムーンの六角点から書いています。マンインザムーンは京都でお店を４点があります（東京でも１店があります）。私は京都で六角点と京都駅点両方で働きますけど。

So heres Victor doing his thang. Recently he’s so creative with cocktails, knocking out all sorts of original mixes, not on the menu. One to watch, this one.

これはビクターがカクテルを作る写真です。最近ビクターはカクテルを作ることがめちゃクリエイティブになって、オリジナルカクテルが多いということです。

But I decided to go for a Daiquiri, which is on the menu. As Victor says himself: Daiquiri is just rum, sugar and fresh lime, simples. In the correct quantities, shaken to perfection, served in the right glass, its the cocktail of cocktails. How does it go so wrong sometimes? Maybe because people don’t appreciate the simplicity and mess with the recipe, trying to make it something more complicated.

でも私はうちのメニューからダイキリのことにしました。ビクターて言うたことは、ダイキリのことが:RUM、ライムとシュガーだけなんです、シンプル！なんでたくさん人変わりたいかな？　このままちょうどう美味しいです！

Which is a shame, because its perfect in its simplicity. Anyway this Daiquiri was delicious; boozy and with a good kick to it, its pretty much just alcohol after all, fresh, more-ish and it went to my head, in a good way. Id had a long day and Im not used to cocktails. I admit it made me a little tipsy.

じゃこのダイキリはすごく美味しかったです。お酒いっぱい入ったのに、飲むやすかったです。でも一杯だけ飲んだのに正直はちょっと酔っていたよ。カクテルが慣れてないからよ。

I drank it with the lovely Daniela, there she is, our French belle. She’s on a Mojito.
ダニエラと飲んだ。これダニエラ、フランスの美女だ。彼女はモヒート飲んだ。

 

Summary:
Day: Who knows!
Drink: Daiquiri
Price: ¥900
Verdict: Simple, classic, sexy; the Gucci of cocktails. And boozy, so drink it slowly.
Atmosphere: Lively for a Tuesday evening. We had our regular English night event so there was lots of energy in the bar. There was a football match on the tv, a friendly between Japan and Paraguay in advance of the World Cup. I drank it with Daniela who was also having a cocktail. Inspirational-vibes.

火曜日の夜だったのに賑やかな雰囲気があった。英語でしゃべナイトのイベントをやっていまして、サッカー日本vsパラグアイの国際親善試合もありました。テンションがUPでした。いい感じだった！

Day 5: What can I get ya? A bartender’s challenge to try everything on the menu. The Premium Malts – Local Kyoto Beer

So this is a local Kyoto one! Its called The Premium Malts and its actually not on the menu, a little exclusive here. We do have have a Japanese beer called The Malts which will be coming up soon. It’ll be interesting to see if there’s much of a difference in them.

Technically Kirin Heartland should have been next on the list but I don’t like it so I might be procrastinating a little. I`ll get there. Its definitely next.

Meanwhile heres the pic of the Kyoto Premium Malts.

Hiramatsu-san in the background, Christina behind the reji. I had just finished my shift, and it was about 12 midnight. Wed had a fairly busy, steady evening so I was well ready to sit down and have a beer.

Davide finished at the same time so we drank it together.

We were in a roguish kind of a mood. There was a big group of German guys in, Paku had just arrived and he got the music going. We Will Rock You came on and lifted the roof, table thumping, foot stomping, air-punching – it was a racket.

I took a good sniff of it first actually and it smelled really fresh. I don’t know why, I just wanted to enjoy every bit of it. The moment the first drop hit my throat I realized how thirsty I was and took a big gulp. It was good, lemony actually. Christina tried it too, what did she say? Fruity I think.

I drank it fast and it quenched my thirst.

Acting the lark with Hiramatsu-san – Guinness badge buddies.

Summary:
Day: 5
Drink: The Premium Malts – brewed in Kyoto (bottle)
Price: ¥800 (little bit more than the others – craft beer dakara)
Verdict: Lemony – thirst quenching
Atmosphere: Worked the evening shift, got off at 12 midnight. Was a fairly busy evening and I was thirsty! Drank it with Davide, the rogue! Big group of German lads in having a hoolie.

 

 

 

 

 

 

Days 3 and 4: What can I get ya? A bartender’s challenge to try everything on the menu! Kirin Beers

When I say Day 3/4, I should mention that this means Day 3/4 of the challenge – but the days are not necessarily consecutive. I can’t drink everyday, that’d be a whole other challenge. So I had a couple of booze free days since the last post and now I’m back and rearing to go again. So rearing that Imma tackle 2 drinks in this post.

Namely The Kirin Beers! Don don don! I don’t like Kirin beer you see.

So here goes, first up is:

Kirin Lager

Wasn’t looking forward to it. Wasn’t expecting to enjoy it. But it was actually quite good. Better than I expected. 期待しえてより美味しかったです！That’s always the way isn’t it. Expectations totally effect your experience of things.

I’d only tried Kirin on draught before and I definitely didn’t like it, regardless of the circumstances. I am learning that sometimes loads of things can effect your experience of things like who you’re with, your mood and all those sorts of things. But I’ve given Kirin draught a good couple of goes and I always don’t like it. (is that different from I never like it?).

But apparently I like it from the bottle. That`s the opposite of the norm right. Draught is usually better than bottle. Fresh is always better no?

Atmosphere-wise, had been working with Anna all day and we shared it in the last 15 minutes of our shift. There she is the trooper. She’s dosed with a sore throat and everything but she`s soldiering on.

Summary:

Day: 3
Drink: Kirin Lager (bottle)
Price: ¥700
Verdict: Better than I expected, would drink again.
Atmosphere: Been working the day shift with Anna all day and we shared it in the last 15 minutes of our shift.

 

Day 4

Next up: Kirin Ichiban Shibori (一番搾り）

The other day a customer sitting in the corner of the counter motioned me over with his hand. It was a pretty busy evening, quite noisy in the bar and he said ` something something something shibori `. Thats what I heard anyway. An oshibori is a wet tissue we give out to customers to wipe their hands before eating or drinking.

Like this:

So I go like, aw you want an oshibori? He was with 2 friends, and beside them there was another guy sitting with his wife and they all completely burst into hysterics. At which point I realized I must have made a mistake and copped on that he was asking for Ichiban Shibori. The pronunciation and meaning is exactly the same, I might add. Hardly that ridiculous a mistake to make. Well they found it hilarious anyway which left me pretty embarrassed. I guess I won’t make that mistake again. Fuckers.

So heres the meaning of Ichiban Shibori. Ichiban means One or First. Shibori means like to squeeze or press something (so like thats what you’re doing when your cleaning your hands with the tissue right?).

The reason this beer is called ichiban shibori is that it only uses the first press of the wort. Whats a wort? Good question, I had to look that up myself. Its the liquid thats extracted during the brewing of beer or whiskey. Most brewers use the first and second press or extraction of the wort, but Kirin Ichiban only uses the first and its the only major brewer that does this.

Its a 100% pure malt beer. Typically, 100% malt beers have a strong and heavy taste, but, when brewed only from the first wort the flavor is smoother, and this is the pure flavor of the malt.

Ooh I actually am starting to learn stuff now. Cool.

I realize I haven’t said much in the way of my own personal opinion on the taste but I don’t remember now! Was rushing to meet Makkyo after work so just kind of knocked it back to be honest.

Summary:
Day: 4
Drink: Kirin Ichiban Shibori (bottle)
Price: ¥700
Verdict: Smooth and easy to drink
Atmosphere: Worked the day shift and drank it towards the end of my shift. Was meeting Makkyo right after work so my mind was elsewhere 😉

 

 

 

 

Day 2: What can I get ya? – A bartender’s challenge to try everything on the menu

I actually woke up for work this morning (10-18 shift) feeling a bit groggy from yesterdays beer (full disclosure: also had a sneaky gin and tonic so that might have contributed) anyways I said to myself that I won’t drink today, Ill just go home after work and Ill continue the challenge the next day.

But that was just the morning head talking. Come 4 o clock, somebody suggested a round of baby guinness (swear it wasn’t me) and next thing I know I’m lining up the shot glasses and calling kanpai! So when it got to 6 o clock and clocked off,  I was ready for bottle beer number 2: Sapporo Black Label. Actually its number 1 on the menu, but if you read yesterdays post you’ll know that it sold out just before I finished my shift, and today, I got the last one! So that will give you an idea of its popularity.

So here it is: Sapporo Black Label (Takumi on the reji – couldn’t resist getting him in)

I was surprised by how much nicer I found it than the Sapporo red star, yesterdays beer. It was more refreshing, with no heavy aftertaste and it didn’t make me burp.

So I really enjoyed it. And Dakota joined me for her Otsukare drink (after work drink), there she is the little babe. So that made it extra fun.  And I was looking forward to Nanae coming at 7 to go for dinner together. I hadn’t seen her in ages so I was really looking forward to seeing her. Double yay. And I’m off tomorrow. Triple yay. Do these things affect your experience? I think they probably do.

Anyways its a thumbs up for the Sapporo Black Label.

Heres the summary:

Day: 2
Drink: Sapporo Black Label (bottle)
Price: ¥700 – same as Sapporo Red Star.
Verdict: Light, refreshing, no aftertaste – better than Sapporo Red Star.
Atmosphere: Otsukare drink (after work drink). Drank it with Dakota, looking forward to meeting Nanae for dinner, off tomorrow. All round happy vibes. Makyo, Davide, Takumi and Kei working. Anna-chan also here, been working together all day and had a great catch up with her.

What can I get ya? – A bartender’s challenge to try everything on the menu: Day 1!!

I’ve worked in Man in the Moon, Irish pub in Kyoto since October 2016, about a year and a half now, and its such a fun job. We have fun while we work and of course end up drinking…a lot.  So I drink a lot of beer, the occasional red wine, I’m known to be partial to the odd gin and tonic, in the wee hours one for the road often turns into a whiskey. I suppose I knock back a jaeger bomb or baby guinness now and then too when the craic is good. Okay so I’ve tried a good few things. But I feel like I always just drink beer. And when customers ask me to recommend something, Id like to be more fluent in talking about our menu. I have always been one to value personal experience so Ive set myself the challenge of personally trying everything on the menu, in order that I can give my own opinion when people ask about stuff. Orrrr its just an excuse to drink and pretend Im doing important research for my job!

Anyway….basically menu-wise we have beer; bottled and draught, cocktails; spirit based and liqeur based, whiskey, wine, and because we are in Japan we also have sake, umeshu and shochu, a few non-alchohol drinks and that about covers it.

So Im gona start at the very beginning, as Fraulein Maria says, a very good place to start.

Page 1 on our menu is beer and and it starts with Japanese bottled beers.

As it turns out, the very first thing on the bottled beer menu, Sapporo Black Label, sold out just right before I finished my shift haha! Its popular and we had a busy couple of hours. So Im actually starting with the 2nd thing on the menu, which is Sapporo Lager Red Star.

Here it is. And Im washing it down with a packet of Tayto. Or is it the other way about? We don’t actually have Tayto in the bar, mores the pity, but it just so happens that an Irish guy, Adrian, came to the bar last night (I wasn’t working) and brought me some Tayto. He comes to Japan regularly and I met him the last time he came. So thank you Adrian!

Sapporo is actually my staple but I usually drink it draught, and drinking it from the bottle is a somewhat different experience I have to say. Im not drinking it from the bottle either, Im pouring into a glass, don’t really like drinking from bottles. Its the same size glass that I drink the draught from though; 3/4 size but yea it tastes different.

How can I describe it; its stronger that the draught. Its nice like, cold and fresh enough, but its kind of heavy. Theres a long aftertaste. To be honest, its making me burp.

I think thats about as technical as Im going to get with this one.

Okay heres the summary:

Day: 1
Drink: Sapporo Red Star (bottle)
Price: ¥700 – 安い！！its cheap. especially when you compare it to the draught, which is ¥900 for about the same amount.
Verdict: Would drink it again but only if there was no draught
Atmosphere: Just finished my shift. Its about 7 o clock. Davide, Christina and Paku are working. We had a nice group of Auzzies in who were on a group trip so I did my `kanpai` (cheers) with them!

Alright then there we go. It`s started!!. 始まりました！！